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A voice that could not be silenced

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Lonnie G. Bunch III, Museum director, historian, lecturer, and author, is proud to present a page from Our American Story, a regular online series for Museum supporters. It showcases individuals and events in the African American experience, placing these stories in the context of a larger story—our American story.

Her song and her spirit could not be silenced

World War I Croix de Guerre

Marian Anderson Sings Spirituals album cover. Recorded by Marian Anderson, 1956.

The great operatic contralto Marian Anderson is most often recalled for her brave and stirring performance from the steps of the Lincoln Memorial in 1939, after the Daughters of the American Revolution refused to allow her to sing from the stage of their Constitution Hall because of the color of her skin.

Less well remembered is the extraordinary life she led before and after that moment, in a career that took her from Philadelphia, the city of her birth, to New York City, the White House, and performances before royalty and in the great opera halls of Europe.

Anderson possessed a voice of power, grace, and extraordinary range. As Italian conductor Arturo Toscanini said, a voice like hers only comes along “once in a hundred years.”

And yet, like many African American singers of her era, Anderson faced discrimination in her own country.

After graduating from high school, Anderson applied to the all-white Philadelphia Music Academy, which refused to admit her. Undaunted, she continued to pursue her dream and, when she was 23 years old, Anderson beat over 300 competitors for the opportunity to sing with the New York Philharmonic Orchestra.

Soon after, she continued her studies in Europe, where her talent was quickly recognized.

In Europe, South America, the former Soviet Union, and elsewhere, she captivated audiences with performances in multiple languages, including operatic arias and songs drawn from the classical canon.

She also included traditional African American spirituals in her repertoire, sharing this important art form with the world.

By 1939, Anderson was an international sensation. Yet, when Howard University invited her to perform in Washington, D.C., the Daughters of the American Revolution denied her access to DAR Constitution Hall, the only auditorium large enough to accompany the throngs of anticipated fans. It would be Walter White, executive secretary of the NAACP, as well as Secretary of the Interior Harold Ickes and others who would seek to right this injustice by inviting her to perform at the Lincoln Memorial.

The air was cold on April 9, 1939—no favor to an opera singer. Anderson also was intimidated by the prospect of singing before the largest crowd she had ever faced. Yet she strode to the microphone and, with all her dignity and mastery, began her first song: “My Country ‘Tis of Thee.”

In many ways, Anderson was an unlikely hero. Off the stage, she was quiet and reserved. When asked to comment on the Daughters of the American Revolution and their refusal to let her perform, she characteristically demurred—preferring to let her performance speak for itself.

World War I Croix de Guerre

Ensemble associated with Marian Anderson’s 1939 Lincoln Memorial concert.

It did. 75,000 people heard her sing that morning, and before her retirement she would enthrall millions more. She would make her belated debut at the Metropolitan Opera in 1955, tour the world on behalf of the United States in 1957, and sing for the inaugurations of presidents Eisenhower and Kennedy.

After Martin Luther King’s speech at the 1963 March on Washington for Jobs and Freedom—which is celebrating its 55th anniversary later this month—Anderson captivated participants with her voice as she sang the spiritual “He’s Got The Whole World In His Hands.”

Eventually she moved to Connecticut, and at the end of her life she traveled to Oregon, where she lived quietly, occasionally accepting well-deserved honors, until her death at age 96.

At the National Museum of African American History and Culture, we have many treasured artifacts and exhibits from Anderson’s storied life. There is one of which I am particularly proud: the ensemble Anderson wore on April 9, 1939, when she sang to the conscience of the nation.

Although she wore a fur coat over her shoulders to fend off the cold, her jacket was bright orange with jeweled buttons that sparkled in the sun—a jacket befitting the icon she truly was. In 1993, with Anderson’s permission, the jacket was redesigned with new fabric and the trim that was on the original garment. We are honored to conserve and share the skirt as Anderson wore it that day.

If you have only ever seen black-and-white footage of her performance, I invite you to come to the Museum, see Marian Anderson’s dress, listen to her voice, learn more about her career, and experience a moment that transfixed and helped transform the nation. Join us as we celebrate the life and achievements of a great American hero.

All the best,
DD YE year end 1 signature
Lonnie G. Bunch III
Founding Director

P.S. There are all kinds of ways to be a leader. Marian Anderson chose to lead by example, and her talent, dignity, bravery, and selfless spirit remain an inspiration in a nation that once shunned her. Please help the Museum continue to celebrate the lives of leaders and heroes past and present by joining as a Member or making a donation today.

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Anacostia Events

Fort Dupont Park 2018 Concert Series | Jumanji at FT Dupont Park

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Enjoy an evening outdoors at the Fort Dupont Park amphitheater! Bring your own lawn chair or picnic blanket and find the perfect spot in the grass seating area!

Location

Fort Dupont Park Amphitheatre
3600 F Street, S.E. Washington, DC 20019
Map

Parking is limited. Public transportation is recommended. Take the southbound U2 or V7 bus from the Minnesota Avenue Metro Station to F Street SE, just outside the park.

INFO HERE
Info from The Washington Informer

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Anacostia Homes

Barry Farm Rally Saturday

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Demolition has begun on the Barry Farm site – but residents still live on the property who vow to hold on as long as possible. 
After a successful Zoning appeal, the DC Housing Authority is forced to amend the development plans, but unfortunately the appeal did not stop the demolition of vacated units. Barry Farm Tenants and Allies Association has developed a list of priorities to ensure that the development benefits residents and serves as a model for community development, not another gentrification plan.  Please sign the petitionshowing your support for their vision.
 Join us Saturday as we bear witness to what is taking place, rally in support of the residents on the property, and lift up their demands to guide the future of this sacred ground.

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